Storytelling

Good is More Interesting Than Evil in Characters

There has been trend in our popular media over time. From movies, TV, games, comics, and books. It began as presenting our main characters as flawless good guys. They always did the right thing. They always had good manners. They were kind, but they weren’t realistic.

In rebellion against that, the anti-hero came out. The hero that still liked to murder. The criminal who would fight the bad guys as well as the good. A subsection even morphed into following villain stories altogether. While more realistic, they aren’t hero characters to be admired and modeled after. If taken too far, it glorifies violent behavior. (Note: these can be done right but often aren’t!)

But now we are seeing a shift to a more appropriate middle ground. A hero who is a good person, but also a flawed person. Not in the way that they will shoot someone in the face for crossing them, but flawed in the way that they make mistakes, struggle internally, and let down people who count on them. This is a much more relatable character because they are not perfect superhumans. But neither do they glorify the worst of humanity.

When I see inexperienced storytellers or TTRPG players want to play “murder hobos” or write about a “hardened mob boss” because they say it’s cool, I am left scratching my head. What is cool about that?

In fact, I think good characters are far more interesting than evil characters. And in my research on this topic, I found others that have summed up my whirlwind of thoughts quite well.

โ€œI just think goodness is more interesting. Evil is constant. You can think of different ways to murder people, but you can do that at age five. But you have to be an adult to consciously, deliberately be good โ€“ and thatโ€™s complicated.โ€ – Toni Morrison

I’d always found goodness to be more interesting than evil, though I was aware this wasn’t the most general view. To my mind, it took more work and more courage to be good, an opinion continually reinforced by my own shortcomings. ” – Dick Francis

The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.โ€ – Ursula K. LeGuin

I suppose that is why I like to write about, read about, watch, and play good characters. Far from perfect, certainly. Capable of violence, certainly. And tempted to do wrong while sometimes failing to win that battle. But also marked by compassion, by caring about others, by valuing life, and by still trying each morning to be better than they were the day before. To me, at least, those are the characters I love.

They also mark some of my favorite fictional characters.

  • The Doctor from Doctor Who, always wanting to understand and to help. But who is still flawed because he will cross the line in using his power.
  • Aragorn from Lord of the Rings, an advocate for peace and diplomacy. Who is flawed because he struggles with taking risks and accepting his bloodline.
  • Megamind from Megamind, a supervillain who didn’t want anyone to really get hurt. Who is flawed because he lies.
  • Danielle from Ever After, whose kindness and mercy persists even under the worst circumstances. But who is flawed because she carries on a deception for too long.
  • Luz from The Owl House, who never judged and always wanted to make friends. But who is flawed because she is too reckless.

What are some of your favorite good characters?


Storytelling

How Much Detail Should You Write in Your Books?

We talk about the differing opinions about the amount if detail in books and give some tips for your writing!


If you search for writing tips online, it doesn’t take long to find widely differing viewpoints on how much, or how little, description is needed to make a good book.

“I don’t care about the color of the sunset! This book describes way too much!”

“I can’t picture any of the locations. There needs to be more detail.”

“Stop it with the sappy ‘eyes like glittering moonlight’ descriptions.”

“I love sappy descriptions! I live for them!”

“I don’t care how the character looks. I’m only interested in their soul.”

“If I don’t know what this character looks like in the first two pages, I’m making up my own appearance for them.”

It’s confusing, right? One thing that is clear is that reading preferences vary significantly. Some people like a great deal of description and like to know every little detail. Others prefer to get right to the action. So how do you navigate this when writing your book? Presumably, you want to sell your book so you want to appeal to a large audience. How can you balance your writing style with what people want to read?


Know Your Genre and Age Group

One thing that is helpful is to know your genre and age group. And this includes subgenres, as well! Reading books in your niche and knowing about the fanbase that reads them will be helpful to you. I’m a big supporter of fanfiction. Look at what people write fanfics about. That will give you a good idea of what fans actually like.

Here are examples:

  • Young adult supernatural – Typically likes a mild amount of description. Prefers description of characters over deep world building and environmental details. Adolescents are more emotionally driven, so the characters are paramount to them.
  • Adult epic fantasy – Usually these are fans of books like Lord of the Rings, Game of Thrones, or the Witcher. More detail and rich descriptions are appreciated. Keeping a balance between character and world detail is key.
  • Adult romance – Sensory descriptions work well for this fanbase. Touch, smell, taste. The world and environment are more of a background to the immediate moment and character sensations. Like muscles and flowing locks of hair.
  • Young adult horror – Less detail is better for the characters and the world. Descriptions should focus on the scary stuff and setting the mood. To keep suspense, the plot needs to keep rolling forward and not get bogged down with flowery language.

How is Your Pacing?

When editing your story, pacing is important to pay attention to. How slow is the writing? How fast is the writing? Is it slow and fast at the appropriate moments?

If you think the pacing is off, the problem could be too much (or too little) description. When I want the narrative to take a pause, and give the readers a moment to breathe, I start describing things. I set the scene. I play into the senses. And when I want the narrative to feel heart-pounding, I use very little description.

A good balance of both optimizes your pace across your story.


Be True to Yourself

At the end of the day, you want to write a story that you want to read. If you are not happy with it and feel that it isn’t “you”, then it’s not worth it. Be as flowery as you want to be, and be as to-the-point as you want to be. It’s your story, after all.


Storytelling

How to Become a Writer: How Much Does it Cost?

This is the eighth and final post in a series on how to become a writer.


How much does it cost to become a writer? You might go into it with the idea that you’ll spend nothing but time, and plenty of royalties will flow your way. Don’t we all wish that was so?! But it does require some money on your part not only to get a good book published, but to maintain an online presence and protect your assets.

This post is mainly aimed an indie authors and writers, but anyone seeking to run their own business can benefit from this. We share our stories about what we actually pay for in a year to keep our business running.


The Cost of an LLC

We own Tal & Ru Travels LLC, which protects all our books, website, and associated content. This is important to do in case anyone tries to steal your creations, and if anyone attempts to accuse you of stealing from them. It’s an extra layer of protection.

The cost of an LLC varies by state. Typically, you can very easily apply online. Our initial application cost us $100. We pay a $25 fee to continue it every year.


The Cost of a Website & Social Presence

To run a website, you have to pay for the domain, and any upgraded features you use. We use a pro version of WordPress to get the content we need for our site.

We pay $19 every year for the domain name.

We also pay $180 each year for WordPress Pro.

Currently, we don’t use any plugins that cost money. But that is an extra cost depending on what you need.

We also don’t have social media accounts anymore. These accounts, including business ones, are free. However, if you choose to run ads you will pay for the cost of the ad. Each platform has their own breakdown on costs.


The Cost of Book Creation

We keep our book creation costs very low. The only thing we pay for is about $250 (including a tip) for our book cover designer through Fiverr. With four books out so far, that has added up to $1,000.

You may choose to put other money into the cost of your books, such as hiring editors, beta readers, formatters, etc. It all depends on how much work you want to learn and do yourself, and how much you see value in hiring an expert for.


Supplemental Costs

There are other costs associated with running an author business.

  • Canva: We use Canva for our graphic design elements on our website and other platforms. We pay for Canva Pro, which costs $15 a month.
  • Inkarnate: We pay for the commercial use of Inkarnate, since we put maps made on their platform in our book. It is only $25 a year.
  • Advertising: Sometimes we pay for advertising, often through Amazon ads. The goal, of course, is to make more revenue than you spend on the ads. Whenever we do use it, we spend about $20 a month, but you can do however much you want to.

Cost Summary

Here is yearly breakdown of our costs:

  • LLC renewal: $25
  • Domain name: $19
  • WordPress Pro: $180
  • Book Cover: $250
  • Canva: $180
  • Inkarnate: $25
  • Ads (not included since we don’t use them consistently)

Total Yearly Cost to run Thread of Souls: $679

We hope this is helpful in you planning your own indie author business!


Storytelling

How to Become a Writer: Are Fiverr and Upwork Useful?

This is the seventh in a series on how to become a writer.


Many writers like to use freelance websites, such as Fiverr and Upwork, to get repeat business. Just browsing these platforms you’ll see many writers advertising their services. Ghostwriters, resume writers, editors, copywriters, etc.

But are they useful? Do they bring in money? Are they worth the time? Having tried both, we give our thoughts here.


Is Fiverr Useful for Writers?

Yes and no.

Fiverr is a popular platform for both buyers and sellers. It works by you posting your profile and what services you offer, and customers coming to buy these services from you. It is high visibility, so you’ll have greater outreach to potential buyers. The ability to pay through Fiverr is also comforting to buyers as they know exactly where their money is going.

However, there are downsides. If you are new to Fiverr, it’s an uphill battle to get anyone to buy from you since you have no reviews. And Fiverr does not take the side of sellers when it comes to customer complaints. This can result in you losing money, having bad reviews, or even getting your account banned.

It’s worth noting this is a common problem with any platform similar to Fiverr, such as Etsy. They are notorious for siding with the complaining customer no matter what, and have poor support for sellers that need help. That is why many prefer to sell only through their own website that they have full control over, despite the limited reach.


Is Upwork Useful for Writers?

No.

I don’t recommend Upwork for a variety of reasons. It works by you placing “bids” on posted job opportunities. You respond what you will do for the buyer who posted the job, and how much you will charge. The buyer then chooses who they want to work with.

The problem with this is that it encourages underselling yourself and the true price your work. Of course, a buyer might not always go with the cheapest option, especially if the higher price tag comes with a seasoned Upwork professional with hundreds of great reviews.

Upwork also puts a limit on how many bids you can place, meaning you can’t have the kind of outreach you need for posted jobs.

Many people who post job opportunities on Upwork are seeking quick turnarounds. This is a much less professional process than Fiverr and can result in customers being angry that you aren’t at their beck and call 24/7.


Conclusion

Online platforms for freelancers are very popular, but they are not perfect. If you choose to use one to sell your services, I recommend also having backups on other platforms, and on your own website.


Storytelling

How to Become a Writer: Writing Your Resume

This is the sixth in a series on how to become a writer.


If you are going to apply to writing jobs, you need a good writing resume. As someone who has been a professional resume writer for 8 years and has a background in the hiring business, I am here to give you advice! Some resume advice you don’t have to pay $200 for.


Formatting Your Resume

Your resume not only needs to pass a digital scan to be seen by an employer (an ATS), but it also needs to look good to be read by a human. It needs to be reader-friendly. Your information needs to be easy to see. Here’s a good guideline to follow:

  • Keep your front at 10-11
  • No heavy graphics, photos, or charts
  • Color is your friend!
  • Keep it at 1-2 pages for ease of reading
  • Evenly space out each section to make it easy to find information

Here is a sample resume I built for this.


Your “About” Section

This is the top section of your resume. You will have a header with your resume title. This typically is the job you have right now, but you can also make it vague to target the job you want. For example, if our sample resume didn’t want to be a Content Writer anymore, they could just put “Professional Writer”.

Your opening paragraph follows. This is an overview of your skillset and career history. Here are top tips to keep in mind:

  • Never use personal pronouns
  • Keep it at 3-6 lines
  • Summarize your skillset without going into great detail

Your “Areas of Expertise” Section

This section includes keywords about your job. This is an extremely useful section because it will help your resume pass a digital scan. You can format it anyway you want, but I like the clean look of these bullet points.

If you’re at a loss of what skills to put down, it helps to look at job postings. What skills are they asking for? Do you have those? Here are some tips for this section:

  • More is not better. Keep it straight to the point.
  • 1-3 words is best for each bullet so long as it doesn’t feel wordy and crowded
  • Make sure what you put down can be backed up by your career history section

How to Write a Good Career History

Writing a good job history is an art form. It’s easy to get overwhelmed with all the details of what you did that you write a job history that is too much for anyone to read. I like to split up each job history into a paragraph and a bullet point list. The paragraph is for daily duties. The bullet points are to highlight your achievements. If you go with only a paragraph, don’t make it too long. And if you go with only bullet points, don’t go over 7. Remember a person is supposed to be able to scan this quickly!

  • Keep your paragraph between 3-6 lines.
  • No more than 7 bullet points, and 3-5 is ideal.
  • Describe what you did at your job and how it impacted the business
  • Lost on what to include? Think about projects you were a part of, committees or task forces you helped with, new ideas you helped bring to life, and big business moments you were a part of.

Misc Content

You have the option to add a few more sections on your resume depending on your background and what you want to talk about. Here are best practices for that.

  • Education: List your degrees, certifications, or trainings. But don’t list your high school.
  • Activities & Interests: This humanizes you and adds some personality. But don’t include anything that could offend your potential boss. Religious activities, political activism, or activities like hunting, recreational marijuana, or running a prank video YouTube channel might not go over well. Some things you don’t mix your business life with.
  • Technologies: It never hurts to list the software you use, especially if knowledge of certain software is essential to your industry.
  • Volunteering: This is also a nice section to have, but keep it simple. It shouldn’t overshadow your work experience. Just listing the organization and what you did is enough. (Example: Fundraiser for a local food bank).
  • Affiliations: If you are a member of any professional organizations, list them in their own section.

Storytelling

Tarot Story Prompt

It’s been a while since we’ve done one of these! I randomly pulled three tarot cards from my Curse of Strahd deck. They were assigned three critical story components: The Protagonist, the Antagonist, and the Conflict. I turned over each and took photos of the result. Use these as inspiration for your next story!


The Protagonist

I turned over the Beggar. This protagonist may be a literal beggar living on the street in poverty. It could also be a more symbolic meaning, such as someone begging for an outcome, or someone that has lost a great deal in life. You could also take inspiration from the character on the card as a starting point. He seems to be an elderly man missing one hand.


The Antagonist

I turned over the Abjurer. In TTRPG terms, abjuration magic means defensive or protective magic. An official definition of the word abjure, though, means to renounce or reject something. Especially something significant like an oath. The woman in the art appears very formal and serious.


The Conflict

I drew the Ghost for conflict. This opens up interesting connection possibilities between our Protagonist and Antagonist. Did someone they both know die? Have they returned to haunt them? Is the ghost more symbolic of something from both of their pasts they’d rather forget? Are they haunted by mistakes? Is that what caused them to lead such different lives?


Storytelling

How to Become a Writer: Self-Publish vs Traditional

The fifth in a series on how to become a writer.


While we talked about different writing careers in our Overview post, this one focuses on book authors. Whether children’s or adult’s, whether fiction or nonfiction, we all come to the same question. Self-Publish vs Traditional. What is the difference? Which one is best for my situation? What are the pros and cons of each?


Traditional Publishing

With traditional publishing, you submit your book (or book concept depending on your situation) to literary agents. This requires information like a short “elevator pitch” along with a multi-page, highly detailed breakdown. Sometimes you might land an agent very quickly, other times it could take hundreds of agents. The brutal truth is many aspiring authors never land an agent.

An agent will then be your representative, pitching your book to publishers. The goal is landing a book deal. After that, your manuscripts will go through rounds of editing with the publishing house’s official editors. They must agree on the final document prior to publication.

Pros:

  • You have the big name of a publisher on your book.
  • You have an agent representing you and working for your best interests.
  • You get the use of the publisher’s official formatting, artwork, and marketing teams to put your best foot forward.
  • You get your book fine-tuned by professional editors.

Cons:

  • Just because you get one book deal with a publisher does not mean they will sign you again for a second book.
  • Who agents pick to represent is more based on books they feel like working on at the time and not necessarily on the quality of your writing. Most readily admit they turn down plenty of great books because they aren’t in the mood to do that genre right now.
  • Just because you have a professional marketing team doesn’t guarantee your book will ever make money.
  • Editors can force you to make changes to your manuscript that you don’t want to in order to be published. We’ve heard plenty of stories from upset authors that the book published is not the one they wanted to write.

Self-Publishing

Self-publishing is where you publish your book yourself on a platform such an Amazon’s KDP. You are in charge of all formatting, book cover art, and marketing. You have much more freedom over the final product, including the price and what formats it’s available in. You don’t have to do it all alone, though. There are many freelancers online that will design your book cover, edit your manuscript, and even format the book for you. But that is money out of your own pocket.

Pros:

  • You have 100% control over the final product and can publish the book exactly how you want to.
  • You have a greater choice of publishing platforms, instead of having to go with whoever offers you a book deal.
  • You can set the price you want.
  • Most publishing platforms allow you to easily change the book cover, summary, and even interior content (within reason) should you want to make updates.

Cons:

  • You have a very limited reach as there is no professional marketing team behind you.
  • You most likely will be putting your own money into the book at some point, especially if you hire freelancers to help you.
  • You have to learn it all on your own, so it is easy to make mistakes.
  • It typically takes indie authors much longer to make money and get recognition, though every situation is unique.

Conclusion

So, Self-Publish vs Traditional, what is best for you? We went with self-publishing our book because we wanted full control over its content. We have definitely spent plenty of money on it, and it’s definitely an uphill battle to get our book marketed out to readers. But we feel we made the right choice for our needs.

If you have the patience and perseverance to wait on being chosen by an agent and publisher, and a willingness to collaborate on your story, then you will likely be happier with the traditional route.

Don’t forget that you can always do both! Publishers used to turn their nose up at anyone who self-published and didn’t want to work with them, but in this digital age times have changed.


Helpful Tip!

Be wary of scam publishers out there. If they want you to pay them to publish your book, they are not legitimate. A real publisher has faith your book will do well and will never ask for money up front.

Also, for our fellow indie authors, be wary of scam book marketers. They promise outreach to a lot of readers, but in reality, they have no significant, engaged following and your money will be wasted. Always do your research.


Storytelling

How to Become a Writer: Finding Jobs

The fourth in a series on how to become a writer.


Now that you know about types of writing jobs, education required, and options on freelancing, that leaves an obvious next question. How do you find writing jobs? We’ve found our various writing jobs in a few different ways:

  • We applied online to a job posting.
  • We got hired from knowing someone else in the company (including twice being referred by one another).
  • We were randomly reached out to because a hiring manager saw our website.
  • We were reached out to by someone that didn’t hire us for a full-time role, but wanted our help on a temporary, contract basis.

I think there are two major lessons to be pulled from these experiences. It does, indeed, pay to know people. And having a good online presence can get you opportunities.


Where to Look for Jobs

As someone with a background as recruiter and resume writer, as well as a human myself who looks for jobs, these are my top recommendations if you want to find work.

  • Indeed: This is a top job board site. It’s very well-used by employers and is easy to search. But do NOT apply through Indeed. Use it for research and then visit the employer’s website directly to apply.
  • LinkedIn: While not as user-friendly in search terms as Indeed, it does offer a large amount of jobs to look through on a daily basis. Networking opportunities are also very useful here. Again, don’t use their Easy Apply. You’ll just get lost in the shuffle. Go to the employer’s website.
  • Submittable: This offers opportunities to submit written work to a variety of publishers if you are looking to be more of a freelancer.
  • Pitching: You can pitch article ideas to various websites in hopes of getting paid to write the article. This is hard work and does require a great deal of research and effort on your part. Having a reputation already as a writer makes pitching easier.
  • HigherEdJobs: If you are seeking to teach writing or work as a writer in the academic field, this is a great website to use.
  • Remote.co: There aren’t a lot of job postings on this site. However, since they focus only on remote work it is a good place to stop by once in awhile and see what writing jobs are available.
  • Visit Company Pages: If you have companies in mind you’d like to write for, check them out directly. Go to their LinkedIn profile, their website, or their social accounts. They will post what they are hiring for through these channels.

Storytelling

Are Adverbs in Writing Good or Bad?

We talk the controversial topic among writers. Are adverbs in writing a good or a bad thing?


When Dorian and I worked as part of a narrative team for an online game, something one of the other writers said always stood out to me.

“Adverbs should never be used,” he would say. “I listen to Stephen King. He says no adverbs in writing.”

And yet, this writer’s favorite author was Patrick Rothfuss, who uses adverbs liberally in his books. Irony abounds.

It doesn’t take long on the internet to find varying and strong opinions on the use of adverbs. So here are our thoughts.


We use adverbs for two reasons.

  1. No other single word will do.
  2. We are avoiding a repetitive verb or phrase.

You often here that if you are using an adverb, then you’ve used the wrong verb. That’s not always true. “Whispered” or “muttered” will never mean the same thing as “said softly”. Sometimes, adverbs are necessary for clear storytelling.

However, if you find yourself writing things like “said loudly”, “said urgently”, and “said angrily”, then you should look for some alternative verbs. Good replacements are “yelled”, “urged”, and “growled”.

There also may come a time when you are trying to avoid adverbs so much that your verb usage and phrasing become repetitive. In that case, adverbs are a great way to keep your writing feeling fresh.


Overall, there is a place for everything in the world of creative writing, including adverbs. Telling the story in the way you think is best is the most important part of being a writer.


Storytelling

How to Become a Writer: Freelance or Not?

The third in a series on how to become a writer.


“I work freelance. I have a lot of free time on my hands.”

That line, said by a journalist character from The Devil Wears Prada movie, paints a luxurious picture of life as a freelance writer. When you are looking for work as a writer, you’ll come across two different options on job boards. Employers that need freelance writers, and employers that need full-time writers. So which do you choose? Which is better? Since we have done both in our careers, we’ll give you a pro’s and con’s list to compare.


Freelance Writing

Pros:

  • Your schedule is flexible. You can work when you choose and how many hours you choose.
  • Your workload tends to be flexible. Most jobs require at least a minimum amount of work per week/month.
  • You are not tied to the job. You can freely quit without consequences.
  • The work tends to be more independent with minimal to no supervision.

Cons:

  • Some jobs cap the maximum amount of work you can do, so you might not have unlimited earning potential.
  • Work can be inconsistent. Days or weeks may go by with no work available at all.
  • You don’t have access to benefits such as healthcare and vacation days. That means if you want to take a trip, you will be out a paycheck for that time.
  • Employers can cut your work load, hours, or job entirely at any time for any reason. They have more flexibility to do so because you’re not a full-time employee.
  • You have to do your own taxes from your income.

Full-Time, Permanent Writing

Pros:

  • You have a guaranteed amount of work so your hours and paycheck are predictable and dependable.
  • You have access to benefits such as healthcare, vacation time, and other perks.
  • You possibly have the opportunity for career advancement within the company including salary raises.

Cons:

  • There is a lack of flexibility with your schedule and life. You are usually committed to working a certain schedule.
  • You usually cannot take on more work for extra money if you need it for a specific week.
  • You are more heavily supervised.