We still haven’t watched the Dungeons & Dragons movie trailer, but are curious about it. What has us even more interested is the announcement of two prequel books ahead of the movie: The Druid’s Call and The Road to Neverwinter. Let’s talk about what we know and what we’d like to see from them.
The Road to Neverwinter is written by Jaleigh Johnson. Little is known about it but we can deduce it will take place in the city of Neverwinter, the Jewel of the North. As huge fans of the Neverwinter MMO, we’ve spent, I was going to say countless hours exploring the city, but it’s 361.5 hours, according to Steam. That’s more than 15 days.
Needless to say, we are looking forward to The Road to Neverwinter.
The Druid’s Call, from E.K. Johnston, also has a special place in our hearts for one important reason. Talia’s first tabletop character was the Jade, a main character in our fantasy octology Thread of Souls.
The two books are exciting and they got us thinking. We’re sure they’re written like a typical story — choose a premise, characters, outline it, and write it — but we believe it be great if they were based on their own tabletop experience. Imagine if the characters in both books were played by actual people around a table like a ttrpg game.
The players all choose a character in the story and roleplay them and tell the story together. With A Druid’s Call following the main protagonist Doric, the actions and decisions her player makes shape the world and therefore the overall book.
The same be The Road to Neverwinter. While it’s unclear what the story is, the book must involve some of the characters from Honor Among Thieves. Our thoughts are on rogue Forge Fitzwilliam, as he is tied to the city.
However the books and movie are written, they’re sure to be thrilling. But as authors who turned our ongoing ttrpg campaign into fantasy books, it is definitely a fun way to write a series after playing it around a table with friends.
Playing a TTRPGis similar to an actor preparing for a role. You aren’t you at the table, you’re someone else. Taking time to think, act, and live like your character before a session is a great way to get into their mindset. One way to really get a feel for your character is to travel as they do.
Walk or Hike
Traveling could be just about anything. Think about the types of travel portrayed in games or fantasy books. One of the most prominent is long-distance walking and hiking. You could even keep it simple by going on a short walk. Walking and hiking lets you better connect with nature and the elements around you. It’s a great time to think like your character and be with yourself and thoughts. Plus, you get a feel for what it’s like to be outside like they are the majority of the time. Don’t only go out when it’s sunny. Adventuring is tough work and they don’t quit when it’s raining.
Hit the Road
Another way to get around in fantasy is using wagons or carriages. You don’t have to rent or find a carriage, just hop in a car and drive about. You could do one of two things to get in the mindset. One is to not bother with a destination. Just pick a direction and drive. The other is to know where you’re going but not use any GPS to get there. Travel by using a map or as if you were given vague directions until you reach your goal. Oftentimes, a party will be given a direction and landmark. Rarely is it ever a straight path to your goal.
All the while, be your character. What would they think of the journey? The sights? Sounds? Smells?
Spend the Night Somewhere Different
Characters are always staying at taverns, tents, or magically created homes. Another fun way to travel and get into your character’s mind is to stay somewhere new for the night. Having a different view or sleeping somewhere diverse gives you a more unique view of the world.
We’ve spent the night in a dark creepy forest once. It was definitely an experience and one we’ll never forget.
Traveling with your party or a friend at the table is highly recommended. It gives everyone a chance to bond and become their character while you’re all away. You don’t have to spend every moment as your character, but spending time here and there as them will help give you more insight into how they act in the game.
When you travel to get into the mindset of your character, focus on your senses. Everywhere you go focus on everything you can see, hear, smell, taste, and touch. Taverns often have a reputation for being loud, but is that always the case when you stay at a hotel? Roads aren’t always smooth and you can often feel every bump as you travel along. What does the air smell like as you walk through the park?
Traveling is always an adventure. It doesn’t have to be an epic journey from point A to point B. Sometimes taking a walk in your own house or yard is all you need to get into the mind of your character.
The Hobbit is among one of our favorite books so when we heard Free League Publishing was making a Lord of the Rings tabletop game, we got excited. It’s like having the extended extended editions of all the movies in one, except you’re the Loremaster. The One Ring is as alive and vast as the world you see on screen and read on the page.
Right away the pages make it very clear that everyone around the table is part of telling the story. It isn’t just led by the Loremaster. Every player is there to be a part of the tale and make sure it’s a thrilling and memorable one.
It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were.
The Lord of the Rings
The One Ring comes with a core rule book, and a starter set. The rule book is worthy of J. R. R. Tolkien. It’s a massive 248-page tome stuffed with everything you need to start adventuring in Middle-Earth. It’s also a rather pretty book with a stunning cover and beautifully drawn art inside. Every page feels like diving into The Hobbit or Lord of the Rings paperbacks. It’s a grand adventure.
Once you’re through creating a character and learning how to play, you can dive right into a quest. The final few pages contain a thrilling adventure called The Star of the Mist. It’s a journey that fits right into the lore of the Lord of the Rings and is a great starting point for a fellowship. It’s got bandits, dwarves, a dwarven city—a mine— a ghost, and a mystery to solve.
Going on an Adventure
Each game is split into two phases: the adventure and the fellowship. The first involves scenes related to building the overall plot. These can be a tense social encounter or a fight. Whereas the second phase is what happens between each adventure. Characters have time to take for themselves to rest and relax.
Free League enjoys using a d6 system and it’s featured in The One Ring as well. Though this time around, they’ve added a d12 to the mix. Characters have 18 skills they can use to overcome challenges and will use both d6—Success Die—and d12—Feat Die—to determine an outcome. The combined total of all the dice is compared to a target number (TN). If the rolled total is equal to or greater than the TN, the roll is a success; otherwise, it has failed.
Each Feat Die features a Gandalf rune (12) and the Eye of Sauron (11) rune. Gandalf’s rune is the greatest result you can get on a Feat Die and means you automatically succeed regardless of reaching or succeeding the TN. Whereas the Eye of Sauron icon is the worst result possible outcome, resulting in a zero on the Feat Die.
Being favored in a skill means you’re proficient in it. When using a skill, players roll one Feat die and a number of Success Dice equal to the Player-hero’s skill rank. Only one Feat die is rolled if a Player-hero is unskilled.
Instead of occupations or classes, The One Ring includes Callings. Callings are your character class and allow you to be as dextrous as Legolas, strong as Gimli, or wise and powerful as Galadriel. Callings range from Captain, Champion, Messenger, Scholar, Treasure Hunter, and Warden. Coupled with a Heroic Culture, this decides who you are in Middle-earth.
There are three Attributes in The One Ring: Strength, Heart, and Wits. Each score describes an adventurer’s physical, emotional, and mental capabilities. These are broken down to hit points, resisting spells, and the effects of dread.
Along the way, the fellowship gains access to a patron. This sponsor is the one who provides them with quests, items, and information to push the plot forward. They also allow you to re-roll dice, summon them to your aid, or other circumstances that aid the fellowship. It’s a fun system that brings back familiar characters such as Balin, Bilbo, and Gandalf the Grey.
Like Tolkien, The One Ring is a beast of a tabletop book. The fantasy author made everything feel spectacular and worthwhile. From the novels to the compendiums and the movies, the world of Lord of the Rings is massive and exciting to see. The One Ring makes it that much more excited to jump into and explore.
May is National Get Caught Reading Month! As writers, we love to read although we aren’t able to as often as we’d like (does anyone?). To celebrate, we are listing some of our favorite books that have stuck with us!
The Bartimaeus Sequence by Jonathan Stroud
This is the only series that Talia has read more than once from cover to cover. She first discovered them while working as a library aide in high school. They’ve stuck with her after that, and she got Dorian to be a fan of them, as well! The witty characters, fully realized world, and fun adventures with heart and soul makes them a top read!
The Pendragon series by D.J. MacHale
Talia found these books during her early adolescent years when only the first couple of a nine-book series were out. She followed them throughout the years, feeling almost as if she grew up with Bobby Pendragon. The main character’s humor makes him easily likeable, and the grand adventures across diverse worlds keep each book feeling fresh and fun.
The Hobbit by J.R.R. Tolkien
The Hobbit has always been Dorian’s favorite book. He has owned multiple copies of it over the years with a variety of beautiful covers. We were both definitely excited to watch The Hobbit trilogy, as well! It’s a classic, fun, and timeless adventure story.
Heir Apparent & The Book of Mordred by Vivian Vande Velde
Heir Apparent was recommended to Talia by a teacher in sixth grade. She fell in love with Velde’s books after that, and The Book of Mordred was another top favorite. The style of writing is engaging and fun, and the characters are easily memorable. For fans of medieval-era stories, these are great reads!
The Magician’s Nephew by C.S Lewis
This is another book that has stuck around with Dorian since childhood. One of the things he connected to was the use of music in the book, as he later grew up to learn to play many instruments! This is the first in the Chronicles of Narnia series, which are charming children’s fantasy books.
Here is our first map exploration post in what will be many more in the future! For this first one we are doing a deep dive into a location often traveled to in the books: the Expanse. This vast desert exists on the southernmost edge of the Korventine Empire, and it is the southwest corner of Corventos.
The Expanse is famous across Corventos for being the stage for the Day of Sealing. The day in which Corventos was rid of dragons. This all happened around Soleia. While it is a legendary day in history, the king of Soleia has since disappeared, and the city has now fallen to ruin. The only operational city within the Expanse is the port city of Vonkai.
The port city of Vonkai is a colorful and vibrant coastal home. Mostly Humans live there, but there are a variety of other races. About two days north are the ruins of Soleia. It is a road sometimes traveled by camel, and there is a small settlement of people that live around these ruins. To get to these ruins, travelers must cross the Golden Valleys sand dunes, as well as the general wasteland of the Expanse.
Further north past Soleia is the Gates of Remembrance, a site dedicated to all those who lost their lives in the Day of Sealing. Not far from that is the King’s Oasis, named for Vicrum Grodstrum, king over Soleia. That far east, it is the only comfort a traveler will find. If they venture even further east to Pirate’s Coast, they find themselves on the Bay of Thieves and dangerous waters, indeed.
If we look to the western side of the Expanse, there is a marker for the strange pyramid that Brother Zok ran past during the events of Ash & Thunder. Our heroes did not venture further west, for there are no settlements out there. The Celestial Mesas reach high into the blank blue sky, and the Badlands is not a friendly place for any well-meaning traveler or trader.
The Expanse is bordered on the north by the Black Reach Mountains, the place Jade was born and raised. The Millenium Sea borders the western coast, and it was that route that Sen sailed the Scarlet Maiden down during the voyage in Phantom Five.
The Expanse is a harsh environment and not much exists within it since Soleia, the City of the Sun, is no more. But Vonkai is a popular port for merchants, and the people there are open and friendly. Only the bravest risk sailing deep into the Bay of Thieves, but otherwise the waters remain good for sea travel. It is a location our heroes traveled to in Phantom Five, seeking answers regarding High Priest Amon’s death. It was also journeyed to again in Ash & Thunder, following rumors of a storm that never moved. While it was not visited in Path of the Spiders, perhaps it will return again in future installments of Thread of Souls!
Ever since we started playing our ttrpg campaign in 2015, we felt it could be so much more. We knew it would make an amazing fantasy novel. We always have an incredible amount of fun around the table and it’s been exciting to transpose our sessions to a book format. We wanted to share our process for doing so and how you can do so yourself. There’s a lot more to it than copying and pasting what happened word for word in game.
A lot can happen in a tabletop campaign and it can be a lot to keep track of when it’s time to translate it to a book. We’ve come up with a few tips we use when writing Thread of Souls. It helps us streamline the process and make everything more detailed, efficient, and easier to comprehend for the reader.
1. Don’t worry about side quests
Side quests or quests that don’t focus on the main story should be left out of the book. They may be great for a ttrpg session but can take up space and time when copied to the book.
They may help fill out the world and its lore, introduce the characters to NPCs, and reward them with fun new gear, but they slow down the overall pace. There are two ways we suggest inserting a side quest if you absolutely must. The first is to introduce a new main character. Say, for instance, a new player joined the game. The party may need to break away from the main plot for a brief moment to find this person, but to make it more interesting, you should always find a way to loop their story with the main narrative.
The second way to include side quests is if they are linked to the main narrative. As long as the reader learns — either through the quest or later on — it is connected to the main narrative, it can be included.
2. Keep combat short and quick
Ah, combat. What takes several hours at the table is only a few minutes in terms of game time. Typically, one round of combat for everyone involved is just a few seconds. While it can be engaging at the table, long-winded fight scenes can drag on and on and can become rather dull, especially in a book.
Fights are fast. The more time that passes, the more exhausted the characters will get. So while your fights can be hours long around the table, they should be short in the book.
Taliesin rolled onto his back as the creatures swarmed him. The cave lit with silvery light as magic burst forth from his hands, incinerating the undead it touched. But they kept coming and coming, a wave of bones and screams. He shouted in pain as blows rained down on him and sharp fingers tore at his skin and clothes, scraping across scale armor.
A good rule of thumb is to keep your fights to around two to three pages long.
3. Add more in-depth descriptions.
Sometimes all it takes to describe a location in a ttrpg game is short sentences to get your players caught up. But in a book, you need to add more sensory information to really bring the reader into the scene. By focusing on the five senses, you’ll be able to paint a better picture. Take for instance Thread of Souls. Ruuda and Taliesin are investigating necromantic magic coming from a hole in the ground.
He climbed down, vanishing from sight. She hesitated before following, using the roots and rocks to support her weight. A strong smell of mud and earth hit her, and it almost reminded her of the Deep Hollows. It was still too fresh of a scent, though. The darkness was a welcome relief to her eyes as she found herself in an open cavern nearly thirty feet in length. Taliesin stood in the center of it, surveying a floor that was covered in bones.
At the table, the scene was described as Taliesin could feel an odd magical sensation coming from near a boulder. As both characters walk around it they saw a hole in the ground. They could just make out the rocky ground, spiking out in various directions. The players can fill in the rest as they see fit in their imagination and describe what they want to do. But the reader needs a bit more information.
4. Focus on the characters
The story should be driven by the characters. As readers, we connect with people. By knowing how certain characters think, move, and act, we can get a much better understanding of them. At the table, you may know what your character looks like and thinks in their head but the audience won’t, not unless you describe it to them. Readers should get more insight into the characters they are following. Hearing their inner dialogue will help better connect them.
This also comes into play with minor characters the party may meet in the game. Unless they are important to the plot, unnecessary characters should probably be removed from the book. Phil the bartender doesn’t really need to come up multiple times in the pages of your book. You can always add them into a compendium later on.
5. Focus on storytelling
When we say focus on storytelling, we mean to stick with the main plot and the elements that drive the narrative. If you deviate from the overall arc you’ll pull readers away. They need to be invested in the story and its characters.
Thread of Souls, we follow several characters as they investigate mysterious happenings with planer travel and missing spiders. If we were to suddenly shift the focus to political intrigue and assassinations of rulers, it wouldn’t really match the theme we’ve built and would end up being confusing.
Also, don’t take up a lot of time by having characters go on side missions or shop. If it doesn’t have anything to do with the plot, it should be altered or left out of the book. If you absolutely love a character or NPC in the game and want them in the book, give them a good reason to interact with the characters.
Once you get a rough idea down, you can really start to write. To learn more about turning your tabletop game into a book series, we’ve put together a video of our writing and editing process.
Let us know your thoughts and if you’ve ever wanted to write your own fantasy book?
We list some of the best songs to use while you and your players explore Fey worlds
Dungeons & Dragons released its latest book, Wild Beyond the Witchlight. It’s all about the mysterious and wonderful plane known as the Feywild. While it may sound like a fantastical place to visit, it’s not all fairies and unicorns and not all of them are kind. There are also sinister creatures that fight over control of the Feywild and those who live there.
The Feywild is ruled by creatures called archfey; incredibly powerful spellcasters or tricksters who may be good or evil. It’s a land of enchantment, nature, and mystical creatures. You’ll find hags, giants, walking and talking trees and plants, pixies, rabbitfolk, and many other animals now able to speak.
So, what music would work best for a setting such as the Feywild? We’ve got a few of our favorites all on Spotify.
“Deku Palace” is for those wild and crazy nights in the Feywild. It also works well as an introduction for characters getting there. Maybe they’re at a party that gets a bit out of hand and something pulls them there. Perhaps an archfey casts dancing magic upon the party and they are forced to dance to the beat, or it serves as the backdrop of a magnificent tree castle.
“Gruntilda’s Lair” from Banjo-Kazooie is all about the main antagonist, a witch/hag. As hags can be found in the Feywild it’s fitting for meeting a hag who may or may not be evil.
“Dalentarth” from Kingdoms of Amalur: Reckoning is practically made for the Feywild. The game is set in a world that is similar to the chaotic plane. It’s full of archfey, unique creatures, and magical artifacts that fit in nicely with any campaign set in the Feywild.
The entire soundtrack pairs nicely with the overall Feywild theme.
With that being the case, we also suggest “Alabastra”. It goes well with meeting mysterious people or entering a dark and spooky area such as a corrupted forest or hag’s lair.
“Faren’s Flier” from Guild Wars 2: Heart of Thorns is great for describing areas of the Feywild the party is about to visit. It can also make for a great backdrop to traveling.
Sticking with Guild Wars, “Auric Wilds” is one we use quite often for traversing dense jungles or overgrown ruins.
In related Dungeons & Dragons news, the “Future of D&D” panel at this year’s D&D Celebration revealed a look at what’s next for D&D. Mordenkainen Presents: Monsters of the Multiverse, is a collection of an assortment of art, stats, and upgraded information regarding monsters, creatures, and more. Mordenkainen Presents: Monsters of the Multiverse releases in January 2022.
D&D is also working on a brand new set releasing in 2024.
Plot is important to keep the narrative moving. We discuss ways you can push forward the story to keep readers, viewers, and players engaged.
There have been times when we watch a movie or play a game where the plot just bogs down. It may not pull us out of the immersion but it can make things a little less fun and interesting. Stories should constantly be developing and shifting. It’s what makes them captivating and intriguing.
As fantasy authors, we fell in love with Lord of the Rings. While watching Fellowship for the thousandth time the other day we noticed ways the movie progresses the story. There is always something else that happens to advance the plot. We’re not talking about how Frodo has to take the ring to Mordor. It’s deeper than that.
It’s in the moments where the crebain from Dunland arrive and the party is forced to take cover. Or when the Fellowship must choose between going over the pass of Caradhras, through the Gap of Rohan, or into the Mines of Moria. There are multiple examples in the films that constantly usher the narrative forward. Without these moments, the story falls flat. It would just be a montage of the main characters traveling from point A to point B.
Beginning – End
Having a starting point and an endpoint should be the first things you come up with. Knowing where you want your story to go will help you fill out everything in the middle. This works for novels, movies, Dungeons & Dragons, and comics.
Like with Lord of the Rings: The Ring of Power has returned and found itself in the hands of a hobbit. The main characters learn it must be destroyed within the fires of Mt. Doom where it was created.
Everything in the middle is where you develop characters and introduce obstacles. These can be summed up as encounters.
Encounters, Encounters, Encounters
When you think about structuring a story like a TTRPG it makes it a bit more simple. Encounters are designed to challenge characters. They can range from social interactions, combat, and travel. One of the most important factors of an encounter is it should always advance the plot.
For example. In the Two Towers when the refugees are traveling to Helm’s Deep the caravan is attacked by orcs and wargs. It lets the viewer and characters know Sauron is watching them. He knows their plans and is actively trying to stop them. If it were just some random orc attack it wouldn’t mean much for the story. If that were the case it would be an inconvenience and readers wouldn’t connect with it.
Every encounter your characters come across should revolve around the story. Whether it lets the characters know the enemy is onto them or reveals a detail about a character, plot thread, or villain.
Encounters are also great ways to introduce lore. If you’re writing a book, it makes more sense to tell a streamlined story without filler or fluff. But there are times when even the best of novels introduce threads that lead nowhere. It’s best to avoid these altogether so you don’t leave your viewers confused.
This can best be summed up with random encounter tables. They have their place but we’re not big fans of them. If you do end up using a random encounter table make sure it is connected to your story. It could be connected to a character, NPC, or the overarching plot.
We’ll pull an example from our fantasy series Thread of Souls. In book two Ash & Thunder, a few characters find themselves in ancient elven ruins. Brought there by Jade’s brother to investigate a strange creature.
“As they turned into another room, they pulled up short and stifled surprised gasps. Curled in the far corner was a giant spider. The size of a horse, it was clearly dead and had been for some time. The torchlight cast its twisted shadow three times as big on the wall behind it.“Yuck,” Heron shivered.
“I have never seen one so big!” Skar gasped. “I am going to take one of its hairs.” He shuffled over, already getting out a pouch. Artemis glanced sidelong at Jade. “Do you get big spiders in Oceala?” The Druid stared at the dead creature, perplexed. “Well, no. But come to think of it . . . It has been awhile since I’ve seen a spider.” “One this size?” Unolé clarified. Jade shook her head, chewing on her lip in consideration. “No, any spiders.”
The missing spiders are the driving force of our story. Instead of delving into some unknown ruin, this reveal makes the story feel much more connected. While other characters may have known this information, Jade and the others just learned it.
In the case of the mysterious creature, it helps paint a better picture of the Deep Hollows where the spiders have the largest presence.
Here are some quick ways you can advance the plot:
We share our tips for running TTRPG scenarios without focusing on Initiative.
Initiative is a concept in games like Dungeons & Dragons that decides who acts when in combat. Players and enemies roll a d20 and add their Dexterity then a fight begins. It works well but it isn’t something we’ve come to rely on and neither should you.
Frankly, Initiative can bog down a game. Fights can take hours whereas traveling from point A to point B can take a manner of minutes. Not only does opting not to use Initiatve speed things up it allows everyone at the table to pay more attention. By not knowing when they are up, they may not dissappear into their phone. It’s a great way to ensure everyone, including the dungeon master, pays attention and is engaged.
Fights tend to take a bit of time. Player turns can be lengthy and other players may tune out while it isn’t their turn. The next time you have an encounter try forgoing Initiatve altogether. Instead, narrate what is happening and ask the players what they want their characters to do. It’s best to still stick with standard action economy – action, bonus action, move, reaction – but instead of acting in turn, they act after the enemy does their action.
For instance, if the group is up against a villain who is trying to get away with an artifact. Rather then go into Initiative, have them grab it as an action then run away. Then ask the players what they want to do. By not being in Initiative, they may think differently and not necessarily jump to fight mode.
Asking players what they want to do gives them more freedom. They don’t necessarily have to worry about waiting for another player to act before they do. No one is tied down by an order. As long as they act after the enemy or opposing force.
It’s a great time for players to try new things as well. Not being restrained by Initiative can open up some new opporunities in working together and thinking of unique ways to handle situations. It’s an idea that can really change the flow of any session and make encounters more freeing and cinematic.
Initiative Shouldn’t Mean Combat
The definition of Initiative according to the Player’s Handbook states,
“Initiative determines the order of turns during combat. When combat starts, every participant makes a Dexterity check to determine their place in the initiative order.”
Saying ‘roll for Initiative’ may cause players to automatically think they should engage instant kill mode. That shouldn’t always be the case.
When you break away from thinking of Initiative as strictly combat you start to see everything in a more cinematic view. Action movies all have intense scenes but think about all of the stuff that happens. They are generally more than just fast punches, swift kicks, car chases, and bullets. Villains monologue and characters react. Everything is so alive. By using these alternate rules, you can make more engaging encounters that don’t end in a blood bath. Why you Shouldn’t Rely on Initiative
We create a few cards we think would make perfect additions to the Lord of the Rings Magic: The Gathering card set.
We are rather fond of Lord of the Rings and watch it a few times throughout the year. We also recently got back into Magic: The Gathering with the release of the Dungeons & Dragons: Forgotten Realms set. As storytellers and game designers, we’ve also created our own board games and thought we’d try our hand at making a few Magic cards for the future Lord of the Rings set.
Magic includes Lands, Artifacts, Creatures, Sorcery, Planeswalkers, Instants, and Enchantments. We’re going to talk about four of these that have been on our minds ever since the announcement at Magic Showcase 2021.
Planeswalker: Gandalf the Grey
Gandalf the Grey
Mana Cost: 2 Plains, 2 colorless
First Ability +1: Place a +1/+1 counter on Gandalf.
Second Ability – X: Counters act as hobbits or dwarves. Subtract counters to reduce damage to life points or Gandalf.
Third Ability – 7: Create an artifact creature token that is either a dwarf or hobbit. It has “This creature’s power and toughness are each equal to the number of counters on Gandalf .” This creature has first strike and lifelink.
Enchantment: The Fellowship
Mana Cost: 1 Plains, 1 Mountain, 1 Forest, 1 Island, 1 Swamp, 1 colorless
Ability: Enchant creature gets +X /+X per named creature you control. Enchanted creature has vigilance as long as you control all members of the Fellowship.
Mana Cost: 3 Mountain
Gollum is a +4/+1 creature with first strike and vigilance.